Obscuring Openings: Tips for Zips
When constucting a show-quality costume, one thing that is often
a difficulty is concealing the openings of the costume. It should
not be apparent to an observer
how the costume is donned, the costume's character
should simply exist in a perpetual present tense
in the minds of the audience.
Visible zippers or fasteners can dispell the illusion.
What follows is one (proven) method for concealing large zippers
on a sewn suit costume. This tip is courtesy of Oncilla and
Farallon. The following are descriptions from Oncilla's creation
of her fursuit.
Note: Pictures of the Oncilla costume, and possibly even
of the zipper assembly, will be coming soon.
1. Sew the rest of the costume
The whole body was built and sewn first as a unit;
the white chest/belly
piece was added afterwards. This meant that I had
a lot of flexibility with the
amount of fur around the zipper.
After figuring out how the foam chest insert would be placed, I built the
white furred frontispiece fit to the insert and with largish seam allowances
to be fit into the body. I cut the chest from the cream furred body suit
and pinned in the white piece. (Note: I am leaving out the hours of measuring
pinning and frustration it took to get the right bits cut from the body
and the whole thing more or less fitted).
I decided I wanted the zipper on the left side of the chest,
so I sewed the bulk of
the white piece into the body using normal seams. The fully attached
edge runs from the right neck, curving down to the groin.
2. Attach the zipper
I carefully fitted how the left side would look and marked the zipper line
on the fur backing. The white fur is tucked under the cream fur, which is
how the zipper gets hidden.
Theoretically, the width of the overlap should be more or less constant,
but reality rarely coincides with theory.
Where the white fur went under the cream fur, I had to
clip the white fur down to the fabric to allow the zipper and velcro
to be added.
The zipper was sewn in place.
On the white piece, the zipper was sewn right at the
edge of the shaved white fur, so that the teeth
extended beyond the fur backing. On the
cream piece, the zipper was sewn in so there would be
enough overlap between
the piece to allow for the velcro.
outside the suit
Z = zipper
cream fur ----ZZZZZ---------
ZZZZZ--------------- white fur
\_______/
3/4" - 2"
Overlap
3. Attach the Velcro
Velcro is used at the edge of the upper layer of fur.
This holds the edge down and hides the seam, while the
zipper handles the stress on the seam.
The next step in assembly is to sew in the Velcro.
On the white fur, it went in between the zipper
and the non-shaved fur, facing outwards. This is the fuzzy piece of
velcro, so it doesn't catch the neighboring fur. The velcro strip is set
flush with the non-shaved fur. On the cream piece, the hooked part of the
velcro was sewn onto the back side of the fur. It goes flush with the edge
of the fur.
outside the suit
Z = zipper
cream fur ----ZZZZZ----VVVVV V = Velcro
ZZZZZ----VVVVV------ white fur
inside the suit
4. Final Touches
On the Oncilla costume, the zipper runs from the upper chest on the
left side, down almost to the
groin. The velcro runs the length of the zipper,
but continues further up
the chest to the neckline.
Once the zipper and velcro seal was completed,
I finished sweing up the rest of the groin,
as there was a small open section which I left unsewn
while I positioned the
zipper.
Page by Adam "Nicodemus" Riggs [ariggs@uop.edu]. Images
on this page Copyright (c) 1996 by Adam Riggs.
(Full disclaimer).