First and foremost, I worried about the tail. The tail was
designed to hang limp (since I didn't want to deal with the
complexity of an internal skeleton on my first full furry
costume). Yet I wanted to tail to be strong enough that it
wouldn't be damaged or disconnected if it got snagged or
pulled.
To accomplish this, I used rock-climbing webbing in the tail.
The webbing is a lightweight nylon weave that has almost no
stretch (lengthwise), yet supports more than my bodyweight on
a half-inch-wide strip. Good stuff! :) I sewed some of this
webbing down the length of the tail's underseam. I then made
a harness from some wider pieces of webbing that I could wear
around my waist, under the costume's bodysuit. This is all
shown in the image at left.
The tail was constructed of rings of felt sewn inside of one
another. I stitched a thin strip of dark brown FunFur into
each seam, thus creating the appearance of hairs between the
tail's rings. To give the tail a more realistic appearance,
the felt segments were given an airbrushed gradient of dirty
brown. This kept the felt from appearing too artificially pink.
The bodysuit was built on a modified unitard, as mentioned in
the previous document. Foam was added around the joints to
allow flexibility; the fur has little to no stretch, so the
foam additions provide the necessary compression zones that
allow the costume to bend and flex properly. The foam buildup
also serves to modify the shape of the body. I raised the
apparent shoulders a little and also did quite a bit of work to
flute my spine into the tail (which is held away from my rear by
the foam buildup).
The foam was applied directly to the bodysuit using a hot
glue gun and a lot of courage. :) In a few places, a few stitches
were added as reinforcement. This was largely unecessary, as the
fur layer of the finished costume prevents the foam from shifting
position at all.
Page by Adam "Nicodemus" Riggs [ariggs@uop.edu]. Images
on this page Copyright (c) 1996 by Adam Riggs.
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